don’t flinch
Essentially, “don’t flinch” for guitar and computer is a three-part mensural canon, but similar to late Mediaeval and Renaissance isorhythmic techniques, melodic material is repeated along with a...
View ArticleMichael’s CACM article
My article on Algorithmic Composition has been published by the Communications of the Association for Computing Machinery.
View Articleyou are coming into us who cannot withstand you
For Ensemble Aventure, Freiburg, Germany. The title of this piece is taken from the poem “Final Notions” by Adrienne Rich (1929-): It will not be simple, it will not take long It will take little time,...
View Articlebackground info, structural concerns, and instructions for “hyperboles”...
I’ve been working on the structure of a flexible-length and musician-tweaked piece for flute and computer since August. The performance software is ready (something like this) so I’ve written the...
View ArticleLisp Code to generate double harmonics
In response to Russell Snyder’s request for my code to generate double harmonics (natural) on the viola d’amore, I’ve abstracted the following from my piece 24-7: freedom fried. Apologies for the light...
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